Billy Elliot Film Techniques Essay Contest - Essay for you

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Billy Elliot Film Techniques Essay Contest

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Billy elliot essay - Chennai Photo Festival

Billy elliot essay

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Billy Elliot Module C Into the World College Essay

Billy Elliot Module C 'Into the World'

Billy Elliot – “Into the World” Module C Speech By Stipan Jezercic

Good morning/afternoon fellow class mates. Today I will be talking to you about growing up and the transition of the film ‘Billy Elliot’ and my related text, a song by Christina Aguilera. ‘Billy Elliot’ relates to the elective ‘Into the World’ as the film is about new possibilities opening up, determination, family support and individual growth. One related text that shows other kinds of transitions into new worlds is a song performed by Christina Aguilera called ‘soar’. With Christina Aguilera’s powerful vocals and emotionally charged lyrics that make you really think, ‘Soar’ is a wonderfully inspirational song full of meaning.

The film Billy Elliot is a social drama as it deals with a variety of social issues such as poverty. It is about a young boy who has grown up in a poor community and a world of rules and traditions. During Billy’s boxing lesson, he discovers that he has a passion in ballet dancing. Contrast is then used by the camera panning past many pairs of delicate ballet slippered feet before settling on Billy wearing his boxing boots. This shot reinforces the idea that Billy is different, and highlights his preparedness to take risks and to stand out. In order for Billy to pursue his journey in dancing, he has to go against his fathers rules and deal with all the rage and frustration he is facing in his current world. Billy realises that dancing will open up his world.

To show Billy’s determination to succeed, Daldry uses a variety of film techniques to emphasise his strength of character and the frustration he feels when people try to stop him making his transition. The use of doors is a reoccurring symbol representing new worlds or barriers between worlds and used throughout the film. Billy’s initial sight of the ballet class through the door, and the way he enters the class cautiously symbolises a new world opening up to Billy. Billy’s determination is one the key elements.

Billy Elliot Movie Review & Film Summary (2000)

Billy Elliot

Rated R For Language

"Billy Elliot" is the flip side of "Girlfight ." While the recent American film is about a girl who wants to be a boxer and is opposed by her macho father but supported by her brother, the new British film is about a boy who wants to be a ballet dancer but is opposed by his macho father and brother. Both films feature supportive adults who encourage the dreams, both oppose rigid gender definitions, both end in a big fight/dance. "Girlfight" is tougher, "Billy Elliot" sweeter. I suppose that's appropriate.

The movie takes place in a British coal mining town, where Billy (Jamie Bell ) trudges off to boxing lessons for which he is ill-equipped. Life at home is tense because his father (Gary Lewis ) and brother Tony (Jamie Draven ) are striking miners. One day, at the other end of the village hall, he sees ballet lessons being taught by a chain-smoking disciplinarian (Julie Walters ), and his eyes grow large. Soon he is shyly joining her class, the only boy in a crowd of tutus.

Billy's father equates male ballet dancers with homosexuality, but Billy doesn't seem to be gay, a fact he discovers to his sudden embarrassment during a pillow fight with his friend Debbie (Nicola Blackwell). Billy's best friend Michael (Stuart Wells) is gay, however--a cross-dresser who reaches the high point of his young life by putting on one of the tutus. Michael is attracted to Billy, who doesn't reciprocate, but seems unusually sophisticated about the implications for a boy his age.

The movie is sort of awkwardly cobbled together, and there are big shifts in character without much explanation. Billy's dad, a supporter of the strike, not only begins to understand his son's dream, but actually becomes a strikebreaker to get money for Billy to attend an important audition. I can believe a coal miner supporting his son's dancing dreams, but anyone who believes he would become a scab to raise the money doesn't know much about union miners.

Still, the movie is as much parable and fantasy as it is realistic. The character of the transvestite Michael in particular seems based more on wishful thinking than on plausible reality; would a gay boy of his age in this neighborhood of this town in 1984 be quite so sure of himself? Julie Walters, a 1984 Academy Award nominee for "Educating Rita ," is spirited and colorful as the ballet teacher, and Gary Lewis is somehow convincing as the dad even when the screenplay requires him to make big offscreen swings of position. Jamie Bell is an engaging Billy, earnest and high-spirited, and a pretty good dancer, too.

The movie was directed by Stephen Daldry. a well-known stage director, and photographed by Brian Tufano. who has one shot that perfectly illustrates the difference between how children and adults see the world. Billy's friend Debbie is walking along a fence, clicking a stick against the boards. She doesn't notice that she is suddenly walking in front of a line of cops, called up against the striking miners and carrying plastic shields; she clicks on those, too.

Note. Once again, we are confronted by a movie that might be ideal for teenagers near Billy Elliot's age, but has been slapped with the R rating. While kids will gladly sneak into R-rated movies they hope will be violent or scary, the R barrier only discourages them from films that could be helpful or educational. In the case of "Billy Elliot," the movie contains only mild violence and essentially no sex, and the R is explained entirely by the language, particularly the "F-word." The filmmakers believe that is a word much used by British coal miners, and I am sure they are correct.

There are two solutions to the linkage of the F-word and the R rating: 1). The MPAA should concede the melancholy fact that every teenager has heard this and most other nasty words thousands of times, or 2). Filmmakers should sacrifice the F-word in order to make their films more available to those under 17.

Billy Elliot - Melvin Burgess

Billy Elliot

Authors note

This is a new one for me – a novelisation of a film. Publishers The Chicken House got in touch with me at the beginning of December and asked me if I wanted to do it. I went to see the film and like a lot of other people, thought it was a cracker.

The time scale was very rushed – the Chicken’s wanted the book out to coincide with the release of the video in April. I had my daughter coming to visit me over Christmas, so I decided that I had to get the first draft done by then – which gave me just four weeks. That was the aim, anyhow, but I had no idea if I could do it. In the event, I did it three weeks – an amazingly fast piece of writing, and something I normally would never try to do. But in this case, such a lot of the job had been done for me – the characters, the story, the setting, even the sequencing of scenes – it was all there. I had the screenplay in front of me – all I had to do was translate the story into prose. But … what was the point? If that was all there was to it, I might as well be writing a treatment for Lee’s film. What can a novel add to this story that a film could not?

I decided early on to use the multiple first person narrative that I used in Junk and Bloodtide. and the answer to the purpose of doing the book soon came. A novel can take up the inner lives of the characters – show you their thoughts and feelings, explain and make clear their motives. A film shows you what people do; everything is inferred from words and action. But a novel can open them up from the inside out. It can also provide a more detailed history. For example – what happened to Billy’s mother? When did she die, how long has she been gone? How did Billy remember her?

The work went well – it’s a tribute to how well-thought out the screenplay was. There were no holes to fall through, not loose ends to tie up, no failings in the characters that I came up against. Only one thing puzzled me – I didn’t;t see that Jackie Elliot, a solid union man, should be prepared to break this important strike, which had cost so much suffering and pain, for the sake of Billy’s ballet ambitions. I tried leaving it out, but the strike breaking seemed such an important part of the film it seemed unfair to filmgoers. After all, it wasn’t my story.

I managed to get hold of Lee Hall’s e-mail in Hollywood to talk about the problem. He wrote very passionately and informatively about the story, and described certain scenes that had ended up on the cuttingroom floor – notably how dad first of all tried to pawn his wife’s jewelry before he broke the strike not after, and how Gary, the strikebreaker, helped out in the end. I saw how Jackie was truly at the end of his tether and having some sort of a breakdown – that made it understandable to me.

Billy Elliot is so interesting because it is about men and boys, about being male in a very traditional male, work dominating society at a time when the world was changing. We see Jackie, the traditional male head of the household, coming to terms with having to care for his children with no wife to help him; wesee brother Tony fighting for his future; we see Michael coming to terms with his sexuality and Billy, pursuing a dream totally at odds with the traditions he grew up with. It was to preserve this exploration of male roles that I left out the voice of Billy’s dance teacher, Mrs Wilkinson, and it that which I think makes it worth turning into a book.

About Melvin

Melvin Burgess

Billy Elliot Plot - TV Tropes

"Billy Elliot" Plot

". I hold my head up high and I'm proud of who you are, so bring the crown on home. I know it's not an MVP of football or baseball; hell I'd be glad to set this one up on the mantle. Bring it on home, and I love you."

A stock plot that crops up in film to relatively high degree. It's all about "being true to who you are ".

A teenage boy has or discovers a passion for a "girly" hobby (e.g. ballet, cooking, singing, double-Dutch ), however his father is pushing him to follow a different "manly" one (e.g. baseball, basketball, banking, boxing. ). The boy is torn between his love of his father along with his masculine appearance to his friends and his love of his newfound secret hobby. In the end his dad finds out and eventually comes around to the idea (or it's revealed he doesn't have a problem with it ) and the boy either gives up the "manly" hobby for the "girly" one or he manages to pursue both and enjoys it.

As a subtrope of Coming-of-Age Story. generally stars teenagers since that's generally when people start to find their way as individuals. It's also common for these boys to be motherless. But if their mom is around, she's likely to be supportive of it (at least more so than her husband), which could lead to tension between the boy's parents.

Is similar to the Coming-Out Story. except the boy doesn't have to be gay—his secret hobby is a great way to meet girls, after all. But if he is, it could add another layer to the dilemma since this tends to be what the father fears all along. It's also a rough Spear Counterpart to You Go, Girl!. though the latter generally lacks the friction with parents, hence why Gender Flips (ie, a girl taking up a "manly" hobby to her mother's objections) are allowed here.

Openly embracing their passion may result in I Am What I Am.

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  • One US commercial for the Real Yellow Pages featured the short tale of a tattooed, mohawked punk rocker who grew dissatisfied with his friends, because while he enjoyed hanging out with them, it was an incomplete life. One quick check of the phone book later (we don't see the page he consults very clearly, but the book is opened to the N's), and the punk rocker is grinning in quiet satisfaction as he practices his needlepoint skills, alongside the other members of the needlepoint club (all gray-haired old ladies, who seem to take the punk's presence as if people like him join their club every single day) that he found and contacted by way of the phone book.

Anime and Manga

  • It could be argued that this is a major plot in the Ranma � manga and anime - Ranma being compelled by his parents to be a "Man Among Men", while his Magical Curse compels him to be female part of the time. By the end of the manga, he seems to have pretty much accepted that he changes from one to the other and has even learned to enjoy the perks he can get in his female form, like cooking, wearing nice clothes, even tricking other guys into doing his bidding. That said, he still considers himself to really be a man, and will still leap at the possibility of a cure, even running away from Akane in the final wedding to try and grab a cask of Nanniichuan.
  • Ruby from Pok�mon Adventures has a passion for contests and a revulsion for battling (due to a traumatic incident involving Forgotten Childhood Friend Sapphire, who became a Blood Knight Wild Child as a result). Oh yeah, his dad is a Gym Leader. Interesting case in that Ruby doesn't care for his father's approval (as he hates everything Norman stands for) and Norman was going to let Ruby do whatever the hell he wanted, but Ruby running away from home pissed Norman off so much that he sicced his Pok�mon on Ruby the next time they saw each other.
  • The entire point of the manga series Otomen . Up to Eleven in that the main character like ALL girly things. Played with in that it's the mother that's pushing her son to be manly, out of fear that he might become a transsexual like his father.
  • Inverted, as in the Monty Python example below, in Macross Frontier . but played for drama (mostly): Alto wants to be a fighter pilot; his father wants him to be a female-impersonating Kabuki actor.
  • In Digimon Adventure . part of Sora's backstory (and quite a bit of her Angst ) is due to this. Sora is a Tomboy and wants to go out and play soccer and her mother wants her to be a "proper" young lady, stay in and learn flower arranging. As such, Sora came to believe her mother was disappointed in her and didn't like her (hence the angst).
  • This forms a recurring subplot in Kekkaishi where Yoshimori wants to get good at baking cakes, even enlisting the help of the ghost of a recently-deceased pastry chef to help him; his grandfather, naturally, disapproves. The coming-out story elements don't really factor in, though; Yoshimori is doing it mostly to impress Tokine.
  • Bartender. It's only hinted at, but Ryu's backstory has a strong flavor of this. Pieceing together what we've learned so far, Ryu's father was a high-ranking politician referred to as "the monster of Nagata-Cho", and Ryu grew up in a privileged home, but threw away his father's support in order to become a bartender.

Films — Animated

  • How to Train Your Dragon takes this in a fairly interesting direction with the relationship between Hiccup and his father Stoick. Hiccup starts out as a bookish Non-Action Guy who struggles in vain to live up to the expectations of uber-manly Viking culture, while his father looks on and wonders just how on earth that talking fishbone came from his genes. Hiccup discovers that, while he does not have what it takes to kill dragons like the perfect, tough Viking son, he is a pretty fair hand at a somewhat less "masculine" activity - befriending and training said dragons. This results in a bit of friction with his father, who considers dragon-slaying as both the courageous thing to do and the only proven, effective way of defending his clan's village. At the end, Hiccup gives up on neither ideal. utilizing dragon-training as a means of defending the village, essentially becoming the most badass leader the clan has ever had while still remaining true to himself. his father is just as bewildered as he is proud.
    • The sequel, How to Train Your Dragon 2 . shows that Hiccup did, in fact, come by his facility with dragons honestly; his mother is a dragon tamer, too.
  • In The Book of Life . Manolo Sanchez wants to become a musician, while his father Carlos wants him to become a bullfighter. Even though Manolo does have the skills of a bullfighter, he refuses to kill a bull, even in the Land Of The Unremembered, where he had to fight a hundred bulls that all morphed into one gigantic bull. Eventually, Carlos sees for himself that his son does much better as a singer when the song of apology that Manolo sings for the bulls that were slaughtered by the Sanchez family is so moving that it just turns the gigantic bull into a pile of flower petals.

Films — Live-Action

  • Named for the film Billy Elliot where this makes up a good deal of the first half of the movie. The "girly" hobby is ballet, the "manly" one is boxing. After Billy's dad gets over this, he sells the last of Billy's deceased mother's things and almost becomes a scab during the miners strike to support Billy's professional dancing dream.
  • There are a few Disney Channel Original Movies which make use of this plot:
    • Arguably the most well known is High School Musical with Troy. The "girly" hobby is singing, the "manly" one is basketball, and it doesn't help his dad is also the basketball coach, There are also elements of this with Gabriella but her mother doesn't oppose the singing, it's more that her friends want her to help them win the Scholastic Decathlon instead. They both manage to do both.
      • The South Park parody reverses it.
    • Eddies Million Dollar Cook Off mildly plays with it. The "manly" hobby is baseball, the "girly" one is cooking, but only his brothers poke fun at Eddie for him. The others are more annoyed regarding the devotion (Eddie being the best player) between the two hobbies.
      • This one even goes as far as to have one for both gender roles. The main plot above and a subplot with one of his female teammates hiding her baseball activities from her mother, claiming to be the team's cheerleader, for fear of not being girly enough. The mom suspected it and was fine with it.
    • Jump In . The "manly" one is boxing (unlike Billy, Izzy is good at it), the "girly" one is double dutch.
    • Ice Princess is this but with a Gender Flip and the "girly" hobby is still "girly" (figure skating) but the "manly" one is replaced with a "brainy" one (math). Although, it's her knowledge of physics and math that helps her be a great figure skater.
    • Mo's father in Lemonade Mouth dislike her teenage looks, loosened-up attitude, and breaking from traditions, along with her involvement in the band. They also see it as a distraction from her studies (she's a straight-A student).
  • Run with a Gender Flip in Bend It Like Beckham . with a teenage British Indian girl taking up football against her mother's wishes.
    • Likewise in She's the Man . the female lead character is more interested in football (soccer) than the debutante ball.
    • And again in Whip It . where the female lead joins a banked track full contact women's roller derby team, while her mother coaxes her into attending beauty pageants.
  • A tragic version of this plot is one of the driving forces behind Dead Poets Society . More exactly, the subplot with Neil Perry and his dad: Neil wants to become an actor whereas his father is adamant that he pursue a career in medicine. Neil ends up Driven to Suicide
  • Searching for Bobby Fischer plays with this trope, but never goes full hog with it, as Josh Waitzkin's dad, Fred, realizes after playing one game of chess with his son that it would be better to let his son play a brainy boardgame than try to force baseball onto him. And when one of his teachers tries to discourage Josh from playing chess, Fred tears her a new one.

    Fred Waitzkin: "I want you to understand something. He's better at this than I've ever been at anything in my life. He's better at this than you'll ever be at anything. My son has a gift. He has a gift, and when you acknowledge that, then maybe we will have something to talk about."

    • Ironically, the real Josh Waitzkin eventually gave up chess for martial arts.
  • Subverted in Kinky Boots with the Drag Queen and his father, a boxing lover who rejected his son even on his deathbed. However, the queen turns out to be very good at boxing in addition to performing.
    • Any guy who wears a dress in public knows how to take a punch to the face.
  • Played straight in Connie And Carla with a Drag Queen. except it's his brother trying to come to grips with it.
  • In a way, the relationship between George Banks and his children Jane and Michael play out this way in Mary Poppins . George wants them to eliminate their childish notions, and grow up as proper English bankers like their dad. He is incensed at the example Mary sets for them, and finds the children's adventures and playfulness frivolous and chaotic. He does eventually come to in the end.
  • Bring It On has a similar case to the Ice Princess example. Torrence's mother hates that her daughter is a cheerleader and instead wants her to be an honours student. When Torrence announces that she's been made captain, all Mom does is complain that she's not taking an extra lab.
  • In Hunky Dory . Davy is discouraged from acting, even though he's won the lead; he even quits at one point.
  • There are about a zillion children's stories with this theme. One of the best known is Charlotte Zolotow's fairly Anvilicious 1972 story William's Doll. which was adapted into a song number in the TV special Free to Be. You and Me in 1974 and a short film in 1981. Rifftrax got hold of the short, and Mike, Bill, and Kevin act as if they're as disgusted by the idea of a boy with a doll as some of the characters are.
  • Geoffrey Swivel in The Shepherd's Crown has elements of this, with foxhunting as the "manly" hobby and witchcraft as the "girly" one. His father never does accept him though, and instead his story is resolved when he demonstrates he doesn't need to care about his father thinks.
  • The whole Maxxie / Bill Bailey subplot on Skins features Maxxie, a Straight Gay Club Kid who wants to become a dancer being pushed by his dad into becoming a builder. Somewhat ironically though, Bailey's character is already a dancer (albeit the manlier "line dancing with dogs" rather than the tap / modern dance fusion Maxxie's into).
  • Inverted by Monty Python's Flying Circus ' "Northern Playwright" sketch, in which the prodigal son the Yorkshire coal miner comes back to his old homestead in London to visit his father the theater playwright — the whole scene is written like the aftermath of this sort of setup gone wrong, only with the actual jobs reversed.

Ken: One day you'll realize there's more to life than culture. There's dirt, and smoke, and good honest sweat!

Father: Get out, you LABOURER!

  • Even better is that the father is dressed like a working-class man, living in a working-class house, and the son is wearing a suit and tie. because that's the only thing he has to wear apart from his overalls.
  • An episode of Cold Case features a wannabe (motherless) dancer, younger brother of a wrestler, who ends up dead, but amusingly not because his father disapproved of his choice but because he believed he would. For good measure, by becoming a dancer, he scored a seriously hot girlfriend, avoiding the Ambiguously Gay zone.
    • On the other hand, his father was at least ambivalent. until he saw his son dance. He cared about excellence, not the form it took.
  • On Glee Finn is the football quarterback but is also interested in glee club. He is notably fatherless rather than motherless. The main people opposing him in the glee club are his jock friends, especially his best friend Puck, who ends up joining the club himself in episode 4. It's averted with the Camp Gay character Kurt who, despite having a blue-collar father and dead mother, actually enjoys playing football and his father is supportive of him being gay and in glee club.
    • Mike is a variation. His father couldn't care less about his interest in sports or performing, and wants him to be a doctor. His mother, however, pushes him to follow his dreams. His father eventually does, too.
  • A variation occurs on The Brady Bunch . While Mike doesn't have a problem with Peter enjoying the glee club, his football teammates sure do and their jeers nearly cause Peter to quit the club. It takes a well-timed visit from guest star Deacon Jones to not only give Peter a lesson in Being Himself, but to nip the other boys' old-fashioned perception of "manly" in the bud by telling them about how he and several other tough football superstars love to sing in their spare time.
  • Subverted on Spaced. Brian actually pretends to be a lawyer to his parents so they won't know he's an artist. They then express disappointment that he didn't become an artist.
  • The aftermath is shown on The House Of Elliott . the 1990s BBC costume drama about fashion in the 1920s. Daniel Page is engaged to marry Evie Elliott, and she insists on meeting his parents, a family of ordinary farm labourers. His father is bitter about him leaving them to go to art school, but he comes round eventually on meeting with Evie and attends their wedding.
  • RuPaul's Drag Race . being a Reality Show about drag queens. is rife with this trope and every season has at least one sob story from a queen with unaccepting parents. The quote at the top of the page is one of the show's most memorable moments: a video message for Season 5's Alyssa Edwards from her Texas redneck father, tearfully apologizing for his past homophobia and expressing his support for Alyssa's drag. There wasn't a single dry eye in the room.
  • An episode of House has (not a spoiler, since the viewer finds out in the cold open before the opening credits) a person born with ambiguous sexuality who had surgery to appear, and has been raised, as a boy. The "boy" was interested in ballet; his dad was okay with this, but his mother pitched a fit when she found out and make him go out for basketball instead, which he doesn't feel he's good at and isn't particularly excited about anyway. This is not quite this trope exactly, since the boy himself doesn't know that the "vitamin" shots his mom's been giving him are actually testosterone to make up for his lack of natural hormones, and he has a bit of a meltdown when he finds out the truth.
    • This is a confusing one as the 'boy' was technically a girl as well. He also claimed he was interested in a member of his baseball team, which is also ambiguous.
  • Inverted in an episode of Australian news satire show The Roast satirising speculation about cuts to the civil service. A boy explains he dreams of being a bureaucrat to his gruff, Northern father, who shuts him down, insisting he'll be a ballet dancer - as being a civil servant "just isn't a secure job."
    • This got weird when the budget was actually released, as, alongside cuts to the public service, it also allocated $1 million to a ballet school.
    • Kanji Tatsumi from Persona 4 suffers from this trope somewhat, with the exception that he hasn't got a father and is instead pushing himself towards trying to be overly masculine, because his passion for sewing is a source of his mental insecurities (along with the fact that he is Ambiguously Gay ).
    • Elliot in The Legend of Heroes: Trails of Cold Steel follows this trope. Although his hobby, performing as a musician in an orchestra, isn't exactly girly by the standards of this trope, his father is a Four-Star Badass who leads an entire tank company and is famed as one of the best military generals in the country. He forcibly enrolled his son in a military academy rather than let him attend the music school he wanted to, hoping to toughen him up. While Elliot is grateful for the friends he ends up making at the academy, he does wish his dad would be less harsh on him. By the sequel, his father finally accepts his son's hobby and goals and apologizes for trying to force him to be something he's not.
    • Parodied in Team Fortress 2. The Sniper's foster parents do not approve of his job. not because he's an assassin, but because in The Verse of the game, Australia underwent Testosterone Poisoning and the males there are expected to be muscle-bound mustachioed macho men who solve their problems with their fists. Sniper 1) is skinny as a rail, 2) keeps his facial hair in Perma-Stubble. and 3) kills from afar.
      • They also think he's kind of crazy.

      Sniper:. The difference being one's a job. the other is mental sickness!

      • Inverted and Parodied on South Park —the High School Musical spoof involves a boy named Bridon who wants to try out for basketball, but has an abusive. Camp Straight father who forces him to sing and dance instead.
      • Spoofed (sans the father element) in The Simpsons episode "Homer vs. Patty and Selma". Bart is forced to join the ballet class after all the other PE activities had been taken, and to his surprise turns out to really enjoy it. On his first recital (in front of the entire school) he performs in a Paper Thin mask to conceal his identity. When the other boys are moved by the performance, Bart reveals himself. The others then rush the stage to beat him up. Krusty's father Hyman also fits this trope because he wanted Krusty to be a rabbi instead of a clown. When he found out Krusty was a clown during a club in his youth, he disowned him and didn't talk to him for 25 years.
      • This trope, or a variation on this, is a common conflict between Bobby and Hank on King of the Hill . The page quote on the show's page is "That boy ain't right" for a reason.
        • Lampshaded in one episode where Bobby wanted to be a model. He brought up a TV show with a "Billy Elliot" Plot that they'd both watched, only to have Hank reply, "That's different, Bobby. I'm not an alcoholic, and you're not a figure skater."
        • In one episode, "Peggy" is the one who disapproves of Bobby taking Home Economics, because he proves to be a better homemaker than she is. Hank for once is content to sit back and reap the rewards.
        • Peggy's Drag Queen friend has a mother who is so supportive that there is genuine annoyance and upset that she doesn't disapprove even a little.
        • Another episode has Bobby deserting the football team to the soccer team to Hank's dismay.
      • In an episode of Arthur . Arthur learns to knit during a storm and finds he actually enjoys it, but doesn't want anyone, save for Buster, to know that he knits because "it's for girls". In the end, when he's found out, no one but Binky teases him about it, and even then Arthur's piano teacher rebuttals Binky by commenting on how beautiful his performance was. in Swan Lake.
      • In Angela Anaconda . an episode features Gordy Rinehart making strawberry souffles, even though his football-coach dad wants him to be a football player. Eventually, Mr. Rinehart decides it's better for Gordy to just be himself. and that he really likes the strawberry souffles.
      • One episode of Fat Albert and the Cosby Kids revealed that Rudy took home economics instead of gym because he loved to cook.
      • Done in an episode of Baby Blues with cooking as the subject.
      • Parodied in an episode of The Grim Adventures of Billy & Mandy where it's revealed Billy's secretly a dance prodigy (although we never actually see him dance ) and has been accepted to a prestigious performing arts school as a dance major, although his father, Harold, initially refuses to let him pursue dancing. Its then revealed that Harold was a dancer himself in his youth, but was discouraged from pursuing it by his own macho father. Of course, its then revealed that the school is run by a powerful witch who feeds on the souls of great dancers.
      • Sofia the First . In "Lord of the Rink", Prince Hugo becomes interested in figure skating but feels pressured into playing ice hockey to please his friends and his father. In the end, they eventually accept him.
      • This can happen to many in the Periphery Demographic fans of even the best TV shows if it's for children in general and/or targeted at one gender specifically.
      • Leonard Nimoy 's parents were not exactly pleased when he decided to become an actor.
      • Sir Patrick Stewart was mocked by some of the more elitist members of British culture scene when he went from being a Royal Shakespearean actor to take the role of Captain Picard on Star Trek: The Next Generation .
        • Before he was Picard, he'd been in (among other things) Excalibur . Dune . and Lifeforce . all while still with the Royal Shakespeare company. So it shouldn't have been a huge surprise to anyone.
      • BRIAN BLESSED averts the trope. His father, who was a coal miner, was overjoyed when Blessed began acting professionally. Blessed's father wanted his son to do anything except work in the mine.
      • Elton John was also discouraged by his strict military father from playing rock music, and when Elton's parents divorced, he sent Elton's (rock music-encouraging) mother a letter telling her to tell Elton to "get that rock n' roll nonsense out of his head" and get a respectable job. Elton later confided he related the Billy Elliot movie to his own relationship with his dad, which was partly the reason for co-writing the songs for the musical.
      • Match Game host Gene Rayburn was known to take up needlepoint to occupy his time on the six-hour flights from New York to Los Angeles (where his show taped). When Richard Dawson brought a 50s picture of Rayburn practicing his craft, it was a laugh riot. Gene even lampshaded it a few times on the show.
      • Rosey Grier, a big lineman for the NY Giants and LA Rams, would do needlepoint on the sidelines.
      • As a child, serial killer John Wayne Gacy loved gardening, but his abusive father would not let him do anything he thought of as "girly".
      • Fritz Von Erich, the patriarch of the illustrious but ill-fated Von Erich wrestling family reportedly pushed his son Mike into the business despite his wishes, especially after the death of David, who was often considered the most promising of his sons. It did not end well
      • Gordon Ramsay originally wanted to be a footballer for the Rangers. Unfortunately, he had to stop because of multiple knee injuries. and eventually started to study cooking. Gordon really felt a connection to the play because when he was growing up, 'cooking was for poofs', and his father even accused him of being gay.